May 17, 2013
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avengent:

aaawhyme:

tobejuliaagain:

aetheling:

“Pooh and his friends were given as gifts by author A. A. Milne to his son Christopher Robin Milne between 1920 and 1922. Pooh was purchased in London at Harrods for Christopher’s first birthday. Christopher later gave them to publisher E. P. Dutton, who in turn donated them to the New York Public Library.”

Oh my god. Oh my god.

This is them, guys. This is them. Got chills.

I’m more star struck from this picture, than I have been at any other moment in my life.

Be sure to click through the links, which shows what the display looks like now that it’s been completed with murals on the wall.

(via petrifikate)

May 8, 2013
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kattahj:

rhube:

kateelliottsff:

feministdisney:

dynamicafrica:

When Nigerian-American writer Nnedi Okorafor watched the South African sci-fi film District 9, she was one of many to be angered by its “abysmal stereotyping” of Nigerians.

The film, which was nominated for an Oscar, caused an outcry after its release in 2009, with the Nigerian government demanding an apology from filmmakers and banning it from local cinemas.

Okorafor put her anger to a more positive purpose, using it as the inspiration for an ambitious new novel, Lagoon.

She describes Lagoon, as “a story about humanity at the crossroads between the past, present, and future, Lagoon touches on political and philosophical issues in the rich tradition of the very best science fiction.”

We caught up with her to discuss the new project:

Tell us about the book?

It’s about an alien invasion in the city of Lagos and how Lagosians of all walks of life handle it.

Why did you decide to write it?

I started writing it as a screenplay for Nollywood director Tchidi Chikere. He and I were both deeply irritated with the South African science fiction film District 9′s abysmal stereotyping of Nigerians. Once I started writing it, it quickly became something other than a response to District 9; it became its own story with its own soul.

How happy were you to have it acquired by publishers Hodder & Stoughton?

I was ecstatic when Hodder & Stoughton made the offer. Lagoon is an ambitious novel. It’s biting political satire, creative, literary, it features many different points of view (which is very different from the stories I usually I write. I prefer to stay with one character), there’s a lot of Pidgin English, and it’s got aliens in Lagos. Because of all this, I didn’t expect it to be an easy sell, if it sold at all. But Anne Perry (the editor who acquired it) immediately connected with and understood what I was doing in this novel. It was like planets aligning- unlikely, but when it happened, logical and right.

By calling it Lagoon, one would expect a lot of adventures with water (and maybe flooding). Is that a particular fascination for you?

Oooooh yes, there’s a lot that happens in the water (though much of it is off the coast where the “shop” lands. I was initially going to have it land in the Lagos Lagoon, but I needed deeper water). I was originally going to call it Lagos. But then I could just hear certain Nigerians snarking, “Who is this American Nigerian to have the nerve to name her novel after my city?” I wasn’t in the mood for that conversation, so I translated the word “lagos” to the English meaning of it name. “Lagos” means “lagoon” in Portuguese. And yes, there is flooding.

I love and am terrified of the water, particularly the ocean. I go to the ocean to calm down, to reconnect with the creator, to just be happy. I like swimming, too, of course, haha. And I love ocean life. I’m fascinated that so much of it remains unexplored by human beings. Diluted seawater consisted of nearly the same concentration of elements and minerals as blood plasma. They’ve got the same amount of sodium, too. Sea water has even been used successfully in blood transfusions in animals. We all came from the water. As is said more than once in the novel, “Water is life”.

As someone who has also written for kids, I’m wondering if there is any consideration for them in this one, of if it’s a totally adult novel.

This one is purely an adult novel, though I think some of my older teen readers will enjoy it, too (18+).

So I read that it’s going to be a three-book deal. Is that a trilogy, or just a chance to get three different books published at a time of your choosing?

It’s not a trilogy. There may be a part two, who knows. But that’s not my original intent. I don’t tend to do sequels; too many stories in my head. I know what the second novel with Hodder & Stoughton will be. That one is linked to (the earlier novel) Who Fears Death.

(source)

sounds like something worth checking out!

Great interview. Fascinating upcoming projects.

So, I’m in to read this, when it’s out and I have the cash. Awesome project both in itself and as a response to District 9, which I did love, but also found very flawed. Not just the racism - it did not remotely pass the Bechdel test.

I love Nnedi Okorafor (and am so irritated that she’s practically unheard of in Sweden), and I look forward to reading this book.

(via crossedwires)

9:45pm  |   URL: http://tmblr.co/ZcdIGykXLTN-
  
Filed under: literature to read 
April 9, 2013
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deafmuslimpunx:

dynamicafrica:

Americanah, Chimamanda Ngozi Adichie’s new book, is the story of Ifemelu, a young Nigerian who travels to America to study and stays there for 13 years before deciding to return to Lagos. The book is an atmospheric and vibrant love story – the love between Ifemelu and Obinze, the high-school sweetheart she leaves behind, the love between Ifemelu and her American boyfriend, the love she has for her young cousin Dike, whom she looks after in America, and the love of her homeland, Nigeria. It is also a novel about race and immigration and what it feels like to be black in America.

But the book’s biggest love affair seems to be Adichie’s enduring relationship with hair. Hairstyle is such a constant presence in the book that not a page goes past without a mention of it: straight weaves, box braids, cornrows, dreadlocks, afros, twists, raucous curls, kinky coils and TWAs (teeny weeny afros). Not to mention texturisers, relaxers, oils, pomades and hair butter. No character in her book gets away without having their hairstyle mentioned, and many are defined by it. And not just the girls. ‘The greying hair on the back of his head was swept forward, a comical arrangement to disguise his bald spot.’ ‘A dreadlocked white man sat next to her on the train, his hair like old twine ropes that ended in a blond fuzz.’

Chimamanda Adichie, 36, sits before me now in a hotel in London: contained, amused, sexy and intellectual. Her own hair is succinctly tethered, but it looks as if, were she to free it, it would be ready to spring into action at any time.

‘I am obsessed with hair!’ she exclaims, before settling happily into a long session on the subject. ‘As you can see I have natural, negro hair, free from relaxers and things. My hair story started when I was a baby. My mother had boys and she desperately wanted a girl, a girl with hair. I came out with a lot of hair and she was thrilled. As I was growing up she would do things to my hair but what I loved the most was when she stretched it with a hot comb. I was terrified too, because when the comb touched your ear it was so painful, but I loved the idea that my hair would then be straight. So when I was three years old I already had the idea that straight hair was beautiful and my hair was ugly.’

In secondary school her hair had to be natural or in braids. Even now, Adichie says, her two nieces who go to school near Lagos have to have their hair cut short, like boys. (‘They are continually texting me, to ask me to buy them a wig. I believe strongly that we should be proud of our hair, but if my 15-year-old nieces want a straight wig, I’ll buy them a straight wig! Life is short.’)

On the last day of secondary school Adichie ‘relaxed’ her hair. ‘It was this huge girl occasion for me and my friends,’ she says. ‘A relaxer alters the hair chemically and makes it permanently straight. But it also burns the scalp. And sometimes the hair just refuses to be totally straight, so they’ll use a tong and then it smells just like burning goat.’

She progressed through a series of hairstyles before she moved to America. ‘But here’s the thing – in America I suddenly found out I was black. I’m black! What does that mean? Suddenly I started thinking, why do I want my hair to look like white girls’ hair? This is absurd.’ In Americanah, after Ifemelu gets the relaxer treatment in the salon for the first time, the hairdresser says, ‘Wow, girl, you’ve got that white-girl swing!’Adichie writes. ‘She left the salon almost mournfully; while the hairdresser had flat-ironed the ends, the smell of burning, of something organic dying which should not have died, had made her feel a sense of loss.’

Adichie well remembers the day she cut off all her hair, and is now a keen exponent of the natural hair movement, though it is only popular in America; back in Nigeria hair is still straight. She has a friend who will not even answer the door without her wig, and ‘the salons there don’t know how to care for our hair any more. They only know about wigs and weaves and relaxed hair.’

(read more)

Don’t get put off my the length, the entire article is well worth reading. I just wish Adichie would’ve addressed the real reason why Nigerians were upset about Thandie Newton being cast to play a Nigerian woman.

Amazing author!!! I am just about to read her 1st book right now :-3

Aaaand book added to my wishlist so I remember to grab it when it comes out.

(via crossedwires)

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Filed under: literature 
March 29, 2013
"I never wish to be easily defined. I’d rather float over other people’s minds as something strictly fluid and non-perceivable; more like a transparent, paradoxically iridescent creature rather than an actual person."

Franz Kafka; from a diary entry dated 23 March 1914  (via funeral)

(Source: violentwavesofemotion, via ucarim-moved)

March 11, 2013

malindalo:

Finalists for the 2013 Lambda Literary Awards in LGBT Children’s/Young Adult Books:

1. Adaptation, Malinda Lo, Little, Brown Books for Young Readers

2. The Adventure of Tulip, Birthday Wish Fairy, S. Bear Bergman and Suzy Malik, Flamingo
Rampant

3. Aristotle and Dante Discover the Secrets of the Universe, Benjamin Alire Saenz, Simon & Schuster/Simon & Schuster Books for Young Readers

4. Ask the Passengers, A.S. King, Little, Brown Books for Young Readers

5. Beautiful Music for Ugly Children, Kirstin Cronn-Mills, Flux Books

6. Every Day, David Levithan, Knopf Books for Young Readers

7. Kiss the Morning Star, Elissa Janine Hoole, Amazon Children’s Publishing

8. The Miseducation of Cameron Post, emily M. danforth, Balzer + Bray

9. Personal Effects, E.M. Kokie, Candlewick Press

10. Silhouette of a Sparrow, Molly Beth Griffin, Milkweed Editions

(via crossedwires)

March 7, 2013
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(Source: konidraws)

February 5, 2013
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newcover:

From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsburg

One of my favorite books growing up, From the Mixed-Up Files of Mrs. Basil E. Frankweiler is the reason I still want to run away and live in a museum to this day. If you haven’t read this book, stop reading this and go get it.

My cover portrays the funky (and mixed-up) files of Lady Basil, combining my other love of card catalogs into some sort of dream cabinet that has various drawers of various sizes.

February 5, 2013
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newcover:

A Series of Unfortunate Events (Adult Covers) by Lemony Snicket

I remember reading an article a while back about the reason Bloomsbury released “adult” covers for Harry Potter over in England. It was due to customer demand that adult readers were a bit embarrassed to be seen reading “children’s books” around town. Thus, Bloomsbury released non-illustrated versions of the covers that had simple photographs and a more subdued color-palette.

So it got me thinking. What other popular children’s series would an adult be a bit embarrassed to be seen reading in public? And I immediately thought of Lemony Snicket’s Series of Unfortunate Events. Not only are they covered in (amazing) illustrations on the outside, but have the extra bonus of being a teeny tiny postcard-sized book, telling those on the subway that yes, you read children’s books, and yes, 200 regular-sized pages is where you max out.

With that in mind, I sought to redesign the series for the self-conscious adult. Using the brilliant photography of Rodney Smith, I ditched the orphans on the cover and instead brought the focus of each to that of the illusive Mr. Snicket, observing the events as they happen, later to be retold in his unique prose. His identity in the stories is always in question, as his relationship with the events is shrouded in mystery. Because of this, he remains hidden from view from the reader, even on the cover.

(via sarah531)

January 20, 2013
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rollingrabbit:

I wanted to give a little love to the Bunnicula book series. I really loved those stories when I was a kid. I remember one time I was out visiting my grandparents out on the other side of the country alone, and they took me to the library to get some books, and I found a Bunnicula book I hadn’t seen before. So I took it out and read it, but before I left I photocopied some of the pages because I loved the illustrations so much.

Oh anyway, so much love.

(via thebiscuiteternal)

January 14, 2013
"

“Sherlock Holmes solved the case before I could, as I recall.”

“Sherlock Holmes is a fictional character,” Trix pointed out.

The Doctor grinned. “My dear, one of the things you’ll learn is that it’s all real. Every word of every novel is real, every frame of every movie, every panel of every comic strip.”

“But that’s just not possible. I mean some books contradict other ones and -“

The Doctor was ignoring her.

"

Lance Parkin, The Gallifrey Chronicles

this has got to be up there as one of the best quotes of doctor who in any media.

(via factionparadox)

(Source: slightlyacidicmilkhotel, via creepingmonsterism)

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